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ARTS
By Gökcan Demirkazık
Monday, April 30, 2012
Documentarian Tim Cawley examines the creative process, and his film includes interviews with Harvard faculty and alumni.
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ARTS
By Nzuekoh N. Nchinda
Wednesday, April 25, 2012
Rebecca J. Levitan, Visual Arts
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ARTS
By Charlotte D. Smith
Tuesday, April 24, 2012
“Think Like a Man” manages to achieve a great balance of romance and humor—resulting in a romantic comedy that is actually, well, funny.
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ARTS
By Nathan O. Hilgartner
Tuesday, April 24, 2012
"The Lucky One" had potential to create a meaningful commentary on the concept of force and fate, but succumbed to Hollywood fatalism.
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ARTS
By Samuel E. Chalsen
Tuesday, April 24, 2012
Sam Chalsen reflects on writing his screenwriting thesis and shares a scene from his screenplay.
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ARTS
By Brian A. Feldman
Tuesday, April 17, 2012
“Bully” presents how awful bullying is on its victims and those around the victim. But by starting a conversation and then placing the onus on the viewer to do something, the film ultimately feels like a shirking of responsibility.
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ARTS
By Alexander E. Traub
Tuesday, April 17, 2012
Getting to the truth of Whit Stillman's films is necessary to understanding some of the best contemporary films and to saving him from a critical mischaracterization.
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NEWS
By Henry A. Shull
Monday, April 16, 2012
From breastfeeding to undocumented workers, Harvard students tackled a wide range of subjects in five short documentary films showcased at Doc Festival 2012, the inaugural film festival hosted by the Harvard Law Documentary Studio.
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ARTS
By C.E. Chiemeka Ezie
Tuesday, April 10, 2012
Ultimately, nuanced and captivating performances by other members of the cast save this solid film and provide a fitting homage to the memory of Rattigan.
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ARTS
By Jason J. Wan
Tuesday, April 10, 2012
The movie is definitively entertaining due mostly to the impressive special effects. However, its also possesses a forgettable narrative and poor understanding of Greek mythology.
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